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Serendipity

Cast-away

December 13, 2009 · 12 comments

daybreak port douglasDaybreak Port Douglas

The Friday before last I received a totally random phone call from the photographer who did the photo shoot for my website back in January this year. He wanted to know if I would be interested in doing a television commercial for one of the major airlines. “Hmmm… this was a first!” Casting was the following morning at 10 and I had other plans. But in the spirit of my recent pledge to say yes to my Universe… I changed them… and agreed to at least go along to the casting.

Long story short… I left not expecting a call… and thought little of it again as I am already more than busy keeping up with my life as it is. But as fate would conspire to have it [yep you guessed it] the call came to tell me to be ready and waiting at the designated spot at the ungodly hour of 3.30 am the following Thursday morning for the transfer by bus and boat to the location for the 12 hour shoot.

Bus AND boat? “You’ve got to be kidding me”

approaching Low IsleLow Isle – Great Barrier Reef

By now major regret had set in and I consulted a couple of good and patient friends by email who were able to knock me seriously back into shape. I then packed the beach bag bathers hat and sunscreen and very early next morning jumped in the car and did the standing quarter mile to the rendezvous point for the bus. I had left a little later than planned and was grateful [at that hour] for the empty roads and the lack of a police presence to get me there in time for the bus. Ohhhh… but I do so love to drive fast!

The bus trip was uneventful except to say that I just happened to randomly sit next to the sister-in-law of a girl [from Melbourne] whom I had worked along side [and got to know well] at last month’s MusoMagic Workshop in Townsville. I wrote about the workshop recently under Standing on the Edge. The chances of us being on the same assignment.. my choosing that particular seat… or how/why we happened to be talking about it in the first place at that ungodly hour of the morning while everyone else was asleep… seemed incredible to us both.

It occurred to me then that there was more to this adventure than initially met the eye.

a wet start 2A wet start onboard Shaolin

At the Port Douglas Marina we boarded the Shaolin [a replica Chinese Junk] for the 2 hour transfer to offshore Low Isle. The island is deserted except for a caretakers cottage and an unmanned lighthouse. There were a few rudimentary palm frond shelters along the beach… but not all that much shade from the sun.

ShaolinLeaving Shaolin

It was an odd choice of location I thought… and the shoot would have been way easier to manage back on the mainland… but where on earth would have been the adventure in that?

After a wet and windy voyage… the Shaolin dropped anchor just offshore from the island and in a major display of unparalleled efficiency… cast crew and equipment [the full catastrophe] were ferried across by dinghy to the beach where filming began in earnest.

loaded upThe full catastrophe

Fortunately or [unfortunately]… it rained lightly on and off all day which kept the beach either humid and wet… or humid and downright hot. But at least we weren’t in full sun. Either way it was humid… and some of us seriously needed a hair straightener by about mid morning but without 240v mains power we soon realised we were not going to have our curls coiffed any time soon.

shootOhh shoot…

So it was back to bare basics… singlets sarongs and barefeet… hair wild and windswept as we were filmed strolling up and down the beach… gazing out to sea from under a colorful umbrella… and being interviewed pretending to have just stepped excitedly off an imaginary flight from Bali with a total stranger we had only just met. It sounds easy. Let me tell you it’s not!

trolleyLovely light on Low Isle

But it was a lot of fun.

hanging aroundand a lot of hard work… Grin.

And I met and spoke with a lot of different people about a lot of interesting things.

sitting on a coconutDebbie & Jeannie [sitting around on a coconut]

I met a woman with a profound fear of water… who would never have taken the assignment had she known she would have to be surrounded by so much of it. Once there and confronted with the situation… she realised it was meant to be. [Incidental to the day those present were privileged to witness her metamorphosis through fear toward empowered sea mariner!] I got talking to her and learned she was an artist, actor, costumier, healer and counsellor who had an active interest in the field of Emotional Freedom Technique which is something I have been studying. I wrote about it recently here under Blocks Blanks and Barriers.

four mileBack at Four Mile Beach Port Douglas

I also met a great couple [I had not known before] and spoke at length with them on the boat coming back. I casually mentioned that I had been out at Ellis Beach the previous Sunday setting up to paint and taking photographs and how windy it had been. I wrote about it here The Bright Side.

more waiting

She shot me an astonished look and said

“Hey… I think we saw you! We were driving back from Port Douglas and saw you setting up your easel and thought… how nice… someone’s painting on the beach!”

Almost too much serendipity for one day! (((chuckles)))

roasted almondsa couple of roasted almonds on the way home

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p1010190Exercise from the 2008 workshop – Taking a Line for a Walk

Copyright Peter Griffen 2008

“I believe that to make discoveries, risks must be taken, the traveller must get lost. 
A well planned journey can only lead to an already known destination. 
At some stage the painting must go out of control. 
From chaos the universe was formed. 
The artist enters chaos and by taking control, synthesising and simplifying, new images are discovered – images that are potent and speak from the past.” – Peter Griffen – Manifesto

In a week that delivered more than the usual number of serendipitous occurrences… here is but one!

Last week my mail server died and I was without emails for a few days. For me… that is nigh on catastrophic… as I do seem to receive an inordinate amount. Consequently… when the glitch was finally ironed out… in excess of 80 emails poured in all at once from all over the place… and I spent the better part of Monday sorting them all out!  

Amongst the important ones was an email from renowned Sydney artist Peter Griffen… whose workshop you might remember I participated in… and reported on… at last year’s ArtEscape. A few weeks ago I bumped into Peter again at this year’s event [yes... it's been a whole year!] and asked him if he would consent to an interview on the Blog. The email as it turned out contained his ‘considered’ responses to the interview questions along with the heads up about his upcoming appearance on ABC TV’s Landline going to air on SUNDAY… which featured his recent [so cool to be there] workshop in Birdsville… outback Central Queensland.    

As I sat there reading the email on MONDAY… realising I had already missed the program… the phone rang. It was a non-artist friend of mine. She asked me if I had ever heard of the artist Peter Griffen. I said I had… and that coincidentally… I was reading an email from him as we spoke. She then told me that she’d watched Landline on Sunday and had thought how much I would have enjoyed seeing it… and that in case I had [in fact] missed it… she was ringing to tell me the program was being aired again on Monday night.

[Insert spooky x-files music here]

Funny how life is [lately] kinda like that.  And I’m loving it.

You can view the ABC episode here… [take a look - you won't regret it - Peter delivers one of the most instructive and entertaining workshops on the planet - and well worth it - even if you have to travel all the way to Birdsville to catch up with him!]

 

Anyhow… without further ado… here is the Interview.

When did you first realize you were an artist?

Over a very long period of time I got used to the fact that I was gradually changing from being a high school teacher to being an artist. I suggest that it happened during the period 1972 [when I first exhibited a painting] to 1986, when I finished my four years at art school.

p1010168

What artists have influenced you and why?

Australian artists

Fred Williams for landscape and colour
Guy Warren
Sidney Nolan
and Arthur Boyd for lyrical stories in the landscape

Arthur Streeton
and Tom Roberts for atmospheric landscapes.

The New York school for abstract expressionism

St Ives artists for abstracting the landscape

The Fauves for wild colour

The Russian constructivists for highly ordered pure abstraction

The German expressionists for aggressive freedom

The CoBrA group for painting from primeval instinct

Cezanne for structure

Picasso

Miro

and Klee for imagination

Matisse for wisdom

Vermeer for attention to detail

Rembrandt for a bench mark

Pierro della Francesco for spiritual intimacy

Boticello for simple beauty

Anselm Kiefer for raw bold honest statements

and there are more that I cannot think of at the moment.

p1010209

What inspires you?

The Australian landscape, the deserts and the Kimberley mainly. Also estuaries, rivers, headlands, colours in the landscape and man’s interaction with the land.

How do you stay motivated?

I love painting and everything else is an interruption.

Do you consider your work to be evolving?

Yes, always, but themes started several years ago are continued or revisited.

Advice for the struggling artist?

Join the club, anybody who is any good always struggles, and if you find that you don’t have to struggle then it is time to stop.

Aspirations for the future?

To keep painting better.

Funniest thing in my career?

I have experienced a lot of good luck which I am happy about but that’s not funny is it?
I will give this question more thought.

INTERVIEW ENDS

Thanks Peter for being such a good sport and taking the time to compile your responses for us here!

Peter Griffen’s artworks can be viewed online at his website www.petergriffen.com

Take care everyone… until next week…

and remember [in art as in life] to… be there or be square! (((chuckles)))

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