La Belle Femme 4 © 2010 Jean Burman
[see the the video clip below]
Why watercolor?
People ask me this all the time… like I have a choice [grin]
Don’t worry… I’ve asked myself this question a number of times over the years and still can’t come up with a decent answer.
I mean… it’s not like I’ve never wanted to quit. I have. And I did once… for a whole year!
During my year of self imposed [watercolor] exile… I painted only in acrylic and oil with the occasional charcoal sketch tossed in. But I never got over that empty aching feeling whenever I picked up a brush!
Something about watercolor keeps me coming back for more. Like a moth to the flame… the brush to the paper… the water to the paint *sigh*
The best explanation I can come up with is that watercolor has a certain magic that other mediums lack. There is something intangible about it. Something you can’t quite put your finger on. You know what it is… but you just can’t quite explain it.
There is a fluidity in the watercolor process… an expectation of the unexpected… an excitement in the impossible challenge.
This is a serious addiction I know [and watercolor artists the world over will agree!]
Watercolor is the quintessential challenge.
“If you can’t handle me at my worst…
then you sure as hell don’t deserve me at my best” – Marilyn Munroe
It has a well earned reputation for being difficult. But to me… watercolor is clever and brilliant and challenging and rewarding all rolled into one. But that’s not to say that just because it might come across all sophisticated and sassy… it can’t also be cruel and terrible and unforgiving and flat [and downright awful] all at the same time… and I might take a moment to focus on that.
Florida artist Jean Grastorf has described it like this… “every watercolor painting goes through an ugly stage” and I believe her. There comes a time in the making of every watercolor when the painting begins to look flat and uninteresting… tired and overworked [note: I'm talking about the painting here NOT the artist - the artist is never tired - and ALWAYS interesting - grin]
You start to second guess yourself… and wonder if you should toss it in and start again. But the beauty of watercolor is the number of times a perfectly good watercolor is discovered on the easel the morning after the night before after it has had the chance to dry. Magic eh?
“Some people dream in technicolor… others dream in watercolor”
Watercolor requires us to trust the process more than any other medium. It demands that we submit to the paint… and the water… and the chemistry of both… and to allow what will be to simply BE.
We have to get out of the way and let it do it’s thing… and sometimes that’s the hardest thing to do!
This is where I think WATERCOLOR and LIFE have a lot in common.
Maybe that’s why I like it so much?
THE VIDEO CLIP
Here is a painting that I thought was beyond repair. I was called away in the middle of the initial wash and the consequent run back was extensive… catastrophic… and ugly. But it just goes to show what a little bit of love and elbow grease can do. There is virtually nothing that can’t be fixed [and I reckon the scars that remain make her even more perfectly imperfect] I hope you enjoy the rescue of La Belle Femme 4. She is made of watercolor and willow stick charcoal on 300lb Arches paper and measures 15″ x 30″ and is available for sale from Jean Burman Galleries via the Contact Page on this website.
Let me know what you think… leave a comment in the space below!
Oh and… don’t forget to heck out the [almost daily] updates on DearDotcom!
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Artwork & Images © 2010 Jean Burman
Artwork & Images © 2010 Jean Burman
Join me on You Tube (see below for the link) but read this first!
Cartoon Pen & Watercolour
Cartoon Pen & Watercolour 






















